'Heady, exhilarating, often astonishing' New York Times 'Iridescently original, deeply disorientating and yet somehow radically hopeful ... worth reading and rereading' Brian Eno 'Be prepared to re-evaluate your relationship with the amazing life forms with whom we share the planet. Fascinating, innovative and thought provoking: I thoroughly recommend Ways of Being' Dr Jane Goodall, DBE Recent years have seen rapid advances in 'artificial' intelligence, which increasingly appears to be something stranger than we ever imagined. At the same time, we are becoming more aware of the other intelligences which have been with us all along, unrecognized. These other beings are the animals, plants, and natural systems that surround us, and are slowly revealing their complexity and knowledge - just as the new technologies we've built are threatening to cause their extinction, and ours. In Ways of Being, writer and artist James Bridle considers the fascinating, uncanny and multiple ways of existing on earth. What can we learn from these other forms of intelligence and personhood, and how can we change our societies to live more equitably with one another and the non-human world? From Greek oracles to octopuses, forests to satellites, Bridle tells a radical new story about ecology, technology and intelligence. We must, they argue, expand our definition of these terms to build a meaningful and free relationship with the non-human, one based on solidarity and cognitive diversity. We have so much to learn, and many worlds to gain.

Beautiful artist’s book about Tin Drum’s MR installation, Medusa. A meditation on emergent technologies, nature and architecture amidst the climate crisis with contributions from celebrated writers, academics and thinkers. The mixed reality Medusa installation began with the questions: is there even such a thing as non-physical architecture? What is the function of architecture without physical form? Directed by Yoyo Munk and produced by Tin Drum, it headlined the 2021 London Design Festival at the Victoria & Albert Museum. Yoyo Munk’s first book is an exploration into Medusa’s themes, reflecting on our changing relationship with architecture within the context of rapidly advancing technology and ongoing mass extinction. Featuring original artwork by Tin Drum, Medusa is a timely and moving artist’s book about climate grief. Medusa includes fascinating conversations between Munk and Sou Fujimoto, the renowned architect and Medusa collaborator, James Bridle, author of Ways of Being; Veronica Strang, cultural anthropologist; and Seirian Sumner, author of Endless Forms: The Secret World of Wasps. A dazzling poetic contribution from Octavia Bright, author of This Ragged Grace: A Memoir of Recovery and Renewal is interspersed throughout the book. Medusa is an art object to be treasured, employing multiple inks, foils, papers and processes.

"Dread: The Dizziness of Freedom" reflects on possible re-articulations of the concept of dread in our times. Associated with the "dizziness of freedom" by Soren Kierkegaard, and with "the ecstasy of nihilism" by China Mieville, the experience of dread is a defining characteristic of the contemporary human condition, and--according to the contributors to this volume--an essential and potentially productive emotion. However dark and fatalistic its connotations, through its dialectical coupling of caution and transgression, of paralysis and overdrive, dread allows us to imagine the world differently. Through conversations with and essays by some of today's foremost cultural commentators, this book explores the creative agency of dread--an agency that is created by the very forces wishing to suppress or even destroy it--as well as its politics and related conceptions of fear and anxiety.

From the highly acclaimed author of WAYS OF BEING. We live in times of increasing inscrutability. Our news feeds are filled with unverified, unverifiable speculation, much of it automatically generated by anonymous software. As a result, we no longer understand what is happening around us. Underlying all of these trends is a single idea: the belief that quantitative data can provide a coherent model of the world, and the efficacy of computable information to provide us with ways of acting within it. Yet the sheer volume of information available to us today reveals less than we hope. Rather, it heralds a new Dark Age: a world of ever-increasing incomprehension. In his brilliant new work, leading artist and writer James Bridle offers us a warning against the future in which the contemporary promise of a new technologically assisted Enlightenment may just deliver its opposite: an age of complex uncertainty, predictive algorithms, surveillance, and the hollowing out of empathy. Surveying the history of art, technology and information systems he reveals the dark clouds that gather over discussions of the digital sublime.

We live in times of increasing inscrutability. Our news feeds are filled with unverified, unverifiable speculation, much of it automatically generated by anonymous software. As a result, we no longer understand what is happening around us. Underlying all of these trends is a single idea: the belief that quantitative data can provide a coherent model of the world, and the efficacy of computable information to provide us with ways of acting within it. Yet the sheer volume of information available to us today reveals less than we hope. Rather, it heralds a new Dark Age: a world of ever-increasing incomprehension. In his brilliant new work, leading artist and writer James Bridle offers us a warning against the future in which the contemporary promise of a new technologically assisted Enlightenment may just deliver its opposite: an age of complex uncertainty, predictive algorithms, surveillance, and the hollowing out of empathy. Surveying the history of art, technology and information systems he reveals the dark clouds that gather over discussions of the digital sublime.